Monday, January 16, 2006


Todays show is SICK!!! - I'm sick as a dog, and so today I played some sick ass trax.
Check these bands out....

Brad Sucks
I make music and put it on the internet.

Ummm, simple enough... Rock on man!

The Matches
Straight outta Oakland, the Matches set the California music scene on fire last year thanks to twelve explosive, hook-injected songs recorded on the cheap in their basements and living rooms. Coupled with an unstoppable work ethic that included the band's very own "Commotion Promotion" tactics, buzz on the quartet's self-released debut E. Von Dahl Killed the Locals and the live shows that supported it spread like a virus to music enthusiasts up and down the Golden State and, as they toured small venues relentlessly, across the country.Despite the ensuing hype that landed the interest of numerous label A&R execs, the truth is that the Matches wouldn't be shit without contagious anthems like "The Jack Slap Cheer" or "The Restless." It's these songs, sounding like they were written for the bored and lonely kids loitering in bowling alleys and backyards across the fruited plain, that have sparked so much attention.Formed as The Locals in 1997, when vocalist/guitarist Shawn Harris, drummer Matt Whalen and bassist Justin San Souci were early in their respective tenures at Oakland's Bishop O'Dowd High, the group grew frustrated by the turn of the millennium at the lack of under-21 venues in the Bay Area. Commandeering a webcasting warehouse called iMusicast in their home city, they launched a show called L3: Live, Loud and Local. In an effort to promote these L3 shows, the band - now with guitarist Jon Devoto in the fold - initiated "Commo Promo," accosting potential fans exiting concerts and clubs, student unions, dorms, high schools, malls and fast food joints, welcome or not. By performing these brief acoustic attack sets in the days prior to L3 gigs, word soon spread and the shows started selling out - without advertising or publicity.Changing monikers in time to self-finance and release their February 2003 debut, the Matches mothballed their educational pursuits to focus on music. Veering from headlining West Coast All-Ages venues to touring opportunities with Reel Big Fish, Lit, and Zebrahead, the latter even asked Shawn, Matt, Justin and Jon to join them for a ten-day trek to Japan late in the year. Around that time a new tune, "December is for Cynics" appeared alongside Blink 182, The Mighty Mighty Bosstones and New Found Glory, on the Immortal Records benefit compilation, A Santa Cause.The group also aligned with Epitaph, walking away from the lure of those wide- open major label checkbooks. And now the energy and innovation of E. Von Dahl Killed the Locals is yours to behold, you lucky bastards.If the Matches sound like they could be the next big thing in a way that nearly every other band only wishes they could, perhaps it's the musical and lyrical ingenuity that steers "Eryn Smith," an exuberant, irresistible song about falling in love with a punk rock girl. With the throbbing bass-line that launches "Dog-Eared Page" and the wry, quirky rocker "Chain Me Free," the Matches have more hooks than your Grandpa's tackle box. When they do tap their influences, such as the blend of Elvis Costello and the Faint in "Audio Blood," it's done tastefully, damn-near out of respect. And with tunes about dying for a new zipcode ("Borderline Creep") or dying in slow motion at our own careless hand ("Sick Little Suicide"), these concise, communicable bursts tap a common nerve. Whether your memories of sneaking out a window to catch your ride to that not-to-be-missed show are from last summer's Warped Tour or from the days when Green Day first exploded, the Matches take you back to those moments in an instant. Now that's red-tipped Rock & Roll. Light 'em up.

Sick Of It All
As torchbearers of this only true remaining worldwide musical underground, SICK OF IT ALL is the one band upon which every fan can depend. From Iceland to Japan, from Argentina to the UK, hardcore fans have remained under the commercial radar for two decades. Whether deliberately shunned or accidentally overlooked by the mainstream, these hundreds of thousands of kids live for something that cannot be fabricated or target-marketed to them: lyrics that capture their alienation, music that channels their rage, and the emotional release provided only by the most energetic and communal of live shows.
SICK OF IT ALL’s latest sonic conquest comes in the form of a collection of B-sides and rarities titled Outtakes For The Outcast. These 15 tracks have been compiled over the years and make up some of their best songs and hardest to find material; covetous record collectors be damned! Outtakes For The Outcast is the band’s fifth full length for the San Francisco based indie-punk label, Fat Wreck Chords. In addition to their classic full lengths like Scratch the Surface and Blood, Sweat, and No Tears, SOIA have four other records on Fat: Call to Arms, Yours Truly, Live In A Dive, and Life On The Ropes. Eight full lengths in all, and a catalog that has influenced numerous bands from all genres of underground music.
While SICK OF IT ALL’s transition from indie label to bigger indie to major and back again has been the subject of heated debate in the worldwide HC forum, the band has always had the last word. Putting its collective nose to the grindstone and touring non-stop around the world, the band has blazed new ground for hardcore figuratively and literally: Refining and expanding the genre for nearly a decade and a half, playing the first ever hardcore shows and some of the most obscure corners of the world, and often becoming the first true hardcore band to crack the Top 100 and play the major festivals of many a foreign territory. It’s only fitting for SICK OF IT ALL to now be releasing their best stuff on an indie label with roots as deep as their own.
But for SICK OF IT ALL, it’s not all about retrospective records, because the band is still riding high from their latest studio material: Life On The Ropes. For the making of this full length SICK OF IT ALL switched things up by tracking and producing the new record by themselves. This is an unprecedented occurrence in SICK OF IT ALL’s long recording career and has them getting back to the Do-It-Yourself ethic that first endeared fans years ago. After countless hours spent in the studio and with years of road-tested musicianship under their belts, SOIA has all the necessary tools to produce their own material. And in a continued effort to make this album even more noteworthy, SICK OF IT ALL enlisted the guest vocals of the great John Joseph on the song ‘Paper Tiger’. This is indeed a landmark as John Joseph is the Godfather of the New York hardcore scene and was the original frontman of the seminal NYHC band the Cro-Mags. SICK OF IT ALL pulled all the stops for this record and the listener can tell that on this album SOIA is expanding their skills and their sound.
Between Outtakes For The Outcast, Life On The Ropes, and their colossal U.S. tour they just wrapped up with the band Terror, things don’t seem to be slowing down for the scene’s most storied veterans. This band is relentless and you can always count on them for intense live shows and powerful records’stay tuned!

Hailing from SF, vets of bands such as: Motorhome, The Grannies, All About Evil, Sammy Shakes and a bunch of other dumb bands you never heard of . Our main goal is to ignore everything that hipsters claim as their own for the next 20 minutes and pound out some fine loud Rock.

As always, if you like what you hear, go buy the cd... Beacause if you don't support the musicians, the music goes way...
Go check out The Tech Tap Podcast , more info about them at the end of todays show.
Thats it guys. I'm going to go take some tylenol and sleep this shit off.

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